Tuesday, December 27, 2011

Banh Trung Banh Day - A Vietnamese New Year Story for Tet

King Hung Vuong VI, after having defeated militarily, in the year of year of Chinese, who had never ceased in the past to annoy and attack, the country enjoyed peace and the king wanted cede the throne because he felt he was too old. He thought that his children were all very intelligent, strong and talented and he could not make a decision in favor of one or the other. After discussions with his advisors and his entourage, he called all his children and said:

    
Spring is approaching, I want to make a special presentation to thank the heavens and the earth and the prince who has offered the most delicious dishes, the one who has made those with the most sense in relation to this event will take the throne.

This order is issued, each prince assisted their mother to find the best recipe and choose the best ingredients to make dishes from King to take the throne.Prince Tiêt Lieu had no mother to help him and was very bored. Tiêt Lieu asked God to help him and dreamed that God told him:

    
I advise you to take ground glutinous rice to make rice cakes round in shape. There is banh Dâ the symbol of heaven.
    
Then take the sticky rice and mix with mung beans and meat and roll the mixture into a square sheet Dong, Banh Chung is the symbol of the Earth and the Parents.


    
Rice is daily food and essential, it is very precious and very good. Used in the manufacture of food, it allows to show all the particular virtues.




The king tasted it and found the dishes Tiet place very good, exceptional and easy to do. He found it smart and he attributed the throne Tiet Lieu, who became King Hung Vuong VII. Subsequently, the coming of each Tet, the new king-Lieu Tiêt encouraged the people to make these cakes in recognition of heaven and earth.

The legend of Lac Long Quan and Au Co

Once upon a time... Thousands of years ago, Kinh-duong-vuong, King of Xich-quy, married Long-nu, a princess from Dong-dinh-ho. Because of Long-nu's origin, their son Sung-Lam, popularly known as Lac-long-quan, was believed to be descended from the line of the Dragons. Lac-long-quan had superhuman strength, and he liked to stay near the water. He succeeded to the throne of his father, and governed the Lac-Viet tribe.
During that time, the Lac-Viet tribe was still isolated. Monsters and demons often appeared to harass people. There was a giant fish called Ngu-tinh, who lived for hundreds of years in the East Sea. Ngu-tinh always swallowed up big fishing boats when they passed by his gulf. Thus, the fishermen were very frightened of him. 
Lac-long-quan heard about Ngu-tinh's evil deeds and decided to exterminate him. He commanded his tribesmen to make a huge boat and went looking for Ngu-tinh. When he saw Ngu-tinh, using all his might, Lac-long thrust a trident into the giant fish's mouth. This action brought great pain to Ngu-tinh and he soon died. Lac-long-quan cut off Ngu-tinh's head with his sword. Thus, he had terminated the oppressing force for all the people in the Coast.

Yet, there was another evil force threatening the citizens of Long-bien Province. The children there were often being taken away by Ho-tinh, a wild old fox with nine tails. Ho-tinh lived in a cave and he came out every night to take children away and ate them. Lac-long-quan weaved five colors of threads into a big lasso and set up a trap at the entrance to the cave. When Ho-tinh came out that night, he was trapped; his neck was stuck in the lasso and he was choked to death.
On the way to the highlands of Phong-chau, Lac-long-quan was told about the evil stories of Moc-tinh. Moc-tinh was a tree demon who lived for centuries. At night, Moc-tinh would take a human form and came to the villager's farms and wrecked havoc. Lac-long-quan asked his men to make a big axe. He cut that tree down and Moc-tinh died within the tree.
After completely destroying the tree demon, Lac-long educated his tribe people about agriculture. He taught them how to sow rice seeds and harvest rice. Rice can be cooked by putting it in a bamboo tube with some water and broil it over the fire. Then you split the bamboo tube to get the cooked rice.
Fishing boats usually had two big eyes painted on both sides of the anterior end. Fishermen had tattoos with designs of ferocious animals. Lac-long-quan believed that it was beneficial to have the tattoo for when the fishermen dive into the water, they would scare off the other marine animals with their mimicking design.



At that time, De-Lai, King of another northern tribe made a trip to the South. He liked Lac-long-quan very much and arranged a marriage between Lac-long-quan and his daughter, Au-co. The groom was a talented man; the bride was a beautiful lady. They were a well-assorted couple. People in the tribe were very happy. They feasted for months.

Au-co got pregnant after one year. The tribes people gathered up to help Au-co prepare for the birth: some boiled water, others sewed clothes or diapers. But Au-co only gave birth to a big membranous sac instead of a baby. 
The sac then became bigger and bigger. On the seventh day, it suddenly burst; inside there were one hundred eggs. Each egg hatched into a little boy. The boys stood up and ran to their mother. 
Au-co and Lac-long-quan spent days and nights taking care of their one hundred children. The tribes people often brought fruits and rice to the boys. The boys ate a lot and grew up very quickly. After a short period of time, they were as tall as their father. Even though Lac-long-quan had a family of his own, he missed the Coast very much. He often went to visit his mother Long-nu. Au-co was sad because she thought her husband was not paying attention to their children. 
Lac-long-quan said: "I am from the Dragon line. I like to dwell in the Coast. You are from the Fairy line; you like to be on highlands. Therefore we cannot live together. It is better that we separate now. You take fifty children to the highlands and I take fifty children to the Coast."


Since then, Lac-long-quan and Au-co separated; one went to the highlands and the other went to the Coast. The children of Lac-long-quan and Au-co were the ancestors of Lac-Viet. That's why Vietnamese call themselves "Dragon and Fairy descendants."

Young Glutinous Rice

Hanoi autumn is beautiful with sunlight and breeze. The fragrance of spring rice flake is disseminated in small alleys in Vong Village.
If “Com” is considered the most unique speciality of Hanoi, Vong Village can be called the cradle of this food. People who enjoy “Com” are often flooded with a lot of feelings. People commonly welcome a new autumn with falling leaves, sunlight and breeze.
Com Vong wrapped in a green lotus leaf is delicious with the flavor of young glutinous rice.
It is said that “Com” wrapped in lotus leaves contains a pure fragrant flavor. Inside those lotus leaves are young “ray” leaves, which keep up the greenness of Com and make it glutinous and delicious. There are two main kinds of Com: “Com dau nia” (Com la me) and “Com giot”. only in Vong Village can people enjoy “Com la me”, which respectively is as thin and sweet as tamarind leaf and sticky rice. And “Com giot”, a kind of young glutinous rice, is full of milk. Not only is Vong Village famous for being the cradle of Com but Vong villagers also show their respect to this dish.

Com Vong is specially delicious and not mixed no matter how much or less it is sold. Therefore, Com Vong is better than Com Me Tri-a village next door-, which is thick and hard. In the past, there used to be Com Lu- another village in the same region – however, the way of making Com has now fallen in oblivion. Few people mention of it or it is only described in the books.
Com appears in 2 seasons. According to the lunar calendar, the first season falls in April with “Com chien” and the second one is from July to late September with “Com chin”. In the cool weather of autumn, it is pleasant for Hanoians to enjoy Com Vong.
This young sticky rice is tender, sweet and pure. Hanoians often enjoy each grain and eat together with banana covered with black spots. A lot of expatriates who repay a visit to Hanoi really want to make the most of the feelings of returning their motherland.
* Source: en.hanoi.vietnamplus.vn

Dong Ho Painting Village

Folk painting is o­ne of the special cultural features of Vietnam. Since the ancient time, there have been a lot of painting villages, such as Dong Ho village (Bac Ninh province), Hang Trong village (Hanoi), Kim Hoang village (Ha Tay province), Nam Hoanh village (Nghe An province), Sinh village (Hue city), and other villages in the south and mountainous areas.
Dong Ho is located on the southern side of the Duong river (40km to the east of Hanoi) is one of the villages that preserves ancient cultural relics of Kinh Bac area (Red river delta, north of Vietnam).
Dong Ho painting is printed by hand on the surface of wooden plate. Each printing colour has its own engraved board. The black one is printed last. Thanks to this way, paintings are made in bulk and do not require sophisticated techniques.
Dong Ho paintings mainly reflect the aspiration for a peaceful, happy and prosperous life. Dear animals in people’s life, such as cow, pig, dog, cat and chicken are also depicted in a lot of paintings. Especially, some paintings like “catching coconuts”, “mice wedding” and “jealously” attract the attention of many domestic and foreign visitors.
The painting fair is annually held on Tet holiday in the communal house in Dong Ho village, which draws a large number of tourists. From the afternoon of March 14th (lunar calendar), shoddy goods competition is also held at the same place. Painting fair is a distinctive cultural feature of Dong Ho villagers.
Printing paper and painting colour




The printing paper is made from the bark of a tree called “Dzo”. The background paper is originally white. People use natural materials to change the colours of the paper which are usually orange, pink, yellow, purple, etc. colours of the paintings are refined from various kinds of tree leaves that can be easily found in Vietnam. Particularly, the red colour is taken from earth of hills and mountains; the black colour is from the coal of burned bamboo’s leaves; the glitter white colour is made of sea shells. The original point of Dong Ho folk painting is the durability of colours. The painting is finally covered with a layer of sticky rice paste (called “ho nep”) to protect the paintings and their colours. They are so long lasting that it is very difficult to make them dimmer due to time or light.
Painting content
The most common idea carries congratulation meanings, for instance, “Honour-Prosperity”, “Spring Ritual”, “Chicken Family”. Another plot is daily activities, which include “Jealously”, “Playing flute”, “Farmer and Water Buffalo”. Those paintings with Chinese characters have clearer meanings. For example, the painting “Justice” that portraits a child carrying a frog, which means humanity and justice.
Remember to come to Dong Ho on Tet holiday to mingle yourselves in the atmosphere of a painting fair, which is an opportunity to choose one to your taste.
* Source: en.hanoi.vietnamplus.vn

Monday, December 19, 2011

Life Heritage Resort Hoi An
This beautiful resort is nestled on the banks of the scenic Thu Bon River and you walk outside the gate straight in to the historic township. 5 km from the Cua Dai Beach. Life Heritage Resort Hoi An has comfortable and well-equipped rooms and suites that can accommodate travelers of all types. Awarded Best Heritage Resort in Vietnam. 

  
Vinh Hung Riverside Resort & Spa
Vinh Hung Riverside Resort is located just a few minutes walk from Hoi An ancient town and set in a superb location of great natural charm with a magnificent view on the sleepy and romantic Thu Bon River. 

Hoi An Pacific Hotel
The elegant and luxurious Hoi An Pacific Hotel is located in culturally and heritage-rich Hoi An, Vietnam, providing comfortable accommodations with modern amenities, such as free Wi-Fi internet access 

Hoi An ancient houses host art exhibitions

Two exhibitions on souvenirs, paintings and statues are on at two ancient houses in the World Heritage-listed town of Hoi An in Quang Nam Province on the central coast.

The ancient house at 46 Nguyen Thai Hoc Street is showcasing 29 works by 21 artists who entered the final round of a contest to create souvenir products for Hoi An in 2011.


Visitors to the exhibition will vote for their favorite artworks made from environmentally friendly materials including bamboo and wood and some from silver and bronze. A prize presentation ceremony for the contest winners is slated for December 4 to coincide with the 12th anniversary of Hoi An being proclaimed the World Cultural Heritage in 1999.

The second exhibition at the ancient house at 39 Nguyen Thai Hoc Street features over 100 works on contemporary art, pearl statues, carpets and precious stones by artists Le Dinh Quy, Do Quoc Vi and Pham Huynh. The exhibition runs until February 18.

Special Food in Hoi An

Cau Lau
Cao lau is a dish of rice noodles which are not quite as slippery as pho and a bit closer in texture to pasta. The secret is the water used to make it, and authentic cao lau uses only water from a special well in the city. The noodles are topped with slices of roast pork, dough fritters, and this being Vietnam, lots of fresh herbs and veggies.


Quang Nam Noodle
This is the popular country dish in Hoian and Quang Nam. The noodle is yellow or white in color and made from rice flour. It is mixed with shrimp, pork and vegetables, and topped with grilled rice paper and spices.


White Rose Dumpling

Many people like these cakes not only for their delicious flavor but also for their beautiful appearance. The French gave it the name of white roses. The care is made from white rice flour and stuffed with cooked shrimp meat. The translucence of the flour along with the color of the shrimp meat gives it the apprearance of a white rose petal.


Suse cake
Made from sticky rice, green bean and coconut, the cake is wrapped in babana leaf and then steamed. The original name for this cake is phu the cake, which means husband and wife. The name originates from a story about a young couple that lived together in a small town.


Banh It La Gai
Banh It La Gai This cake made from the black colored and sweet tasting Gai leaf and green bean. This cake is always offered to worship ancestors during the New Year festivals or during anniversaries of departed ancestors. It’s also thought of as a kind of medicine to help revive those suffering from hangovers.


Corn sweet soup
Made from tender corn and sugar. Because of the growing condition around Hoian, che bap can be eaten year round. Local nutritionists say this soup is very beneficial for the elderly.


Luc Tau Xa
A kind of mixed sweet soup, it’s made from green bean, dry tangerine peel and sugar. It’s very sweet and smells delicious. People say that it helps maintain good health.


Dry green bean cake
Green bean flour, sugar, and vegetable oil are blended and pressed into rectangular wood frames and then toasted. Banh dau xanh can be used with many kinds of meat or vegetable fillings. Visitors like to buy this cake as gifls for friends and it keeps for a long

The Vietnamese Lunar New Year

The lunar year festival, or Tet Nguyen Dan, is the largest festival to take place every year in Vietnam. It starts on the first day of the lunar year and lasts for entire week.
Tet is, according to Vietnamese traditional customs, a family-oriented celebration. The most sacred moment is at midnight on Tet Eve, when it is time to bid farewell to the past year and to welcome the New Year. It is also the occasion for people in every house hold to light incense in remembrance of their late relatives, pluck the plant buds, invite the first New Year’s visitor, and toast to each other.
The lunar year festival is the occasion for family members to meet each other. Tet is also the time when every house hold cooks traditional dishes, such a rice cake, a cake made from of sticky rice filled with bean paste and pork meat. The Lunar New Year festival is the most sacred celebration in Vietnam during which people wish each other health and happiness
Sequence of the Tet Celebration
Do it right. Here’s a step-by-step sequence of the Tet Celebration
Preparation.During the week before Tet, some families visit the graves of parents and grandparents. Fresh earth is placed on top, weeds removed from around it and incense is burnt to invoke the souls of the dead from the other world to return to visit the family home.
The Kitchen God (Ong Tao or Mandarin Tao) is also called the Hearth God, the Stove God or the Household God. This god who was privy to the family’s most private business and intimate secrets for the ending year, returns to Heaven to make his report to the Jade Emperor. This report includes the year’s activities of the household in which he has lived. On the 23rd day of the 12th month, a farewell and thank you dinner is given to the Kitchen God by the household. The Kitchen God will need a week for his mission to Heaven.
Folklore has made the spirit of the hearth into a picturesque character, a buffoon who is the butt of crude jokes. Although he is a messenger of the Jade Emperor in Heaven, he is depicted as so poor as to be unable to afford much clothing. He wears an important mandarin hat but goes about with bare legs because he has scorched his pants in the hearth fire. Another version tells that he was in such a rush to get back to Heaven that he forgot his pants and ascended in only his underwear. Efforts must be made to put him in a proper mood to secure a favorable report to the Jade Emperor of the family’s activities. Offerings are made to him. These gifts certainly aim at influencing the outcome of the report. But no one considers such gifts to be crass bribery. Such pleasantries merely sweeten the god’s way, as perhaps cookies placed by the fireplace will please Santa Claus, who might be tired from delivering so many gifts on Christmas night.
The paper carps, horses and clothing (hats, robes and boots) will be burned by the family and thus transformed into a spiritual essence usable by Ong Tao in the world beyond. Like Santa Claus, the Kitchen God is loved and respected. Both have the capacity to bring fortune and happiness into the home depending on the previous year’s behavior. Although beliefs about the Kitchen God have changed over the years, he remains an important figure in the rich texture of Vietnamese New Year. The Kitchen God travels on the back of a brightly colored and powerful paper horse or sometimes a grand bird with great wings, such as a crane. Or he might ride on a carp with golden scales. Paper images of these vehicles are purchased at Tet or a living specimen of fish is bought and later set free. The day of his departure is marked by the calls of fishmongers from the countryside carrying baskets of fish hanging from their shoulder poles and calling “Fish for sale, fine mounts for the Household Gods to make their ride!” Live fish held in tanks of water and plastic bags are released into ponds, lakes, rivers and streams to impress the god with the kindness of the household. In Hanoi, the Sword Lake is a favorite spot for releasing Ong Tao’s fish-vehicle. In some cases, three fish are released to account for the possibility that one must please all three Hearth Gods.
Most frequently we hear of only the Kitchen God, but many legends support the trinity of Kitchen Gods. Ong Tao represents the blending of all three.
In the old days, and still in some countryside homes, cooking occurs over clay tripods. Three stones were all that was needed to hold up the pot over the fire. Few people spend time thinking about the nature of the Kitchen Gods or the specific meaning of the items that are associated with them. The three Hearth Gods are represented at Tet by three hats and shops sell sets of three miniature paper hats: two men’s hats and one woman’s. These are burned as offerings to Ong Tao. The God will also need a new pair of boots to wear as he travels to Heaven. Two favorite gifts for the triad of household deities are gold and wine.
In the central part of Vietnam, cooking tripods or blocks that make up the family hearth, even if they are still usable, are ritually discarded when the God leaves. One week later, new blocks will greet his return or the arrival of his replacement assigned by the Jade Emperor.
After the Kitchen God has left, preparations for the New Year festivities begin in earnest. The week before New Year’s Eve is a period of Tat Nien. Tat Nien (literally meaning the end or ‘to extinguish the year’) is the celebration of the last session of a period, such as the last class of school, the last bus home, the last day in the office, even the last bath, all with parties and great ceremony. There is a festive holiday atmosphere before New Year’s Eve with dragon dances.
Some families set up a Tet tree in the week before New Year’s Eve. The Tet tree called cay neu, is a bamboo pole stripped of most of its leaves except for a bunch at the very top. The Tet tree has Taoist origins and holds talismanic objects that clang in the breeze to attract good spirits and repel evil ones. On the very top, they frequently place a paper symbol of yin and yang, the two principal forces of the universe. Sometimes a colorful paper carp flag will fly from the top. The carp (or sometimes a horse) is the vehicle on which the Hearth God travels to make his report. This tree is more common in the countryside now than in the city. It is ceremonially removed after the seventh day of Tet.
Sweeping and scrubbing is done in advance as tradition discourages cleaning during the holiday itself. During this time, shops and restaurants close while the cleaning spree proceeds in earnest. On hands and knees, the floors will be scrubbed; bronze will be polished to a brand new finish. Closets will be ransacked for old clothes to be tossed out. Shoppers swarm the streets at temporary Tet stalls that have sprung up, lit with tiny gaily-flashing lights. Everything needed for the celebration from food to decorations is at hand and in abundance at these Tet markets.
Two items required for the proper enjoyment of Tet are flowering branches and the kumquat bush. For the sale of these and other flowers and plants, a lively flower market is held in the center of the ancient quarter of Hanoi on Hang Luoc Street. A massive flower market was organized on Nguyen Hue Street in Ho Chi Minh City and attracts crowds who walk up and down the street admiring the flowers, meeting old friends and making new ones. However, this was moved out of the center in 1996. Throughout the country on bicycles of roving vendors, flowers create great splashes of color. In the south, the bright golden yellow branches of the mai apricot are seen everywhere. In the north, the soft rose-colored dao peach flowers decorate homes and offices. A truck driver will adorn his truck with a dao branch to cheer him on a long-distance run.
Miniature kumquat bushes about two or three feet tall are carefully selected and prominently displayed. To carefully choose a kumquat bush, the buyer must pay attention to the symmetrical shape, to the leaves and to the color and shape of the fruit. The bushes have been precisely pruned to display ripe deep orange fruits with smooth clear thin skin shining like little suns or gold coins on the first day. Other fruits must still be green to ripen later. This represents the wish that wealth will come to you now and in the future. The leaves must be thick and dark green with some light green sprouts. The fruits represent the grandparents, the flowers represent parents, the buds represent children and the light green leaves represent grandchildren. The tree thus symbolizes many generations. Guests will caress the light green leaves about to sprout and compliment the discerning host who chose so carefully. The Sino-Viet pronunciation of the word for orange sounds like the word for wealth and the tangerines signify good luck.
Crowds of shoppers at the markets become thicker and more frantic each night, holding up traffic as they jostle each other to reach the counters with the best buys. Prices are a bit higher, but then thriftiness is not considered a virtue at Tet. Everyone is wishing each other Chuc Mung Nam Moi!
One must purchase the sugared fruits, banh chung and the colorful decorations before the afternoon of Tet.
While shoppers roam the streets, banh chung patties wrapped in leaves are steaming in giant vats. The outside has taken on a lovely light green tinge after being boiled inside a wrapper of leaves. Banh chung in the north is a square patty measuring seven inches and two inches thick, filled with shreds of fatty pork surrounded by a dense mixture of sticky rice and mashed ground green beans. In the south, a similar dish is cylindrical. It is given as a gift at this time of year and has a similar long life and social significance as the western Christmas fruitcake. These are frequently called sticky rice cakes, but are unlike sweet cakes in the western sense. There is however, a sweet version made without meat but with sugar added called banh ngot (sweet rice patty).
Suddenly, as if by command of some magic wand, the spree of activity, the light, the noise, all vanishes. By early evening, markets and shops are abandoned. Shops, stalls and restaurants are locked leaving a notice hung on the door announcing the date of reopening. Special dishes must be completed that are expected to serve the family and its guests for the first three days of the new year. People desert the outer world and disappear on the requisite trip to their home villages and inside their homes for intimate family celebrations.
* * *
Giao Thua. As midnight approaches, all eyes maintain a close look on clocks and watches. The Giao Thua ritual occurs at that most sacred moment in time. At midnight on the last day of the year, every Vietnamese family whispers similar fervent prayers. Bells ring and drums beat in temples. The old year gives over its mandate to the New Year. The words Giao Thua (Giao means to give and Thua means to receive) mean a passing on or a receiving and handing down of life, and the recognition of that gift by the present generation. It marks the magical transition time from one year to another. Those who practice Buddhism will pray in the pagoda.
In the Gia Tien (family ancestor) ritual or calling of the ancestors, invitations are extended to the deceased relatives to visit for a few days in the world of the living family. They are lured home and kept happy until they leave. The head of the household lights incense and folds hands at heart level in the position of prayer. The prayer may proceed as follows: “In the year of&. And the date of&. Make these offerings and invite all of our ancestors to join in eating Tet with us.”
The past generations are invited to share the family’s joys and concerns to enjoy a meal with the living, to catch up on the family news and to lavish riches and honors on their descendants.
“I pray to the Heavenly King, the Jade Emperor, to his assistants and to the Earth God and the guardian spirit and to any other spirits present. On behalf of the &family, we offer you incense, gold and silver, fruit and flowers, alcohol and fixings for the betel quid. We are all here to make these offerings so that the next year will be free of disasters and harmful occurrences and that the family will prosper. Please bless us all, young and old, with happiness, prosperity and long life. (Here he might mention some events of the past year such as the birth of a child, someone’s new employment or the successful entrance of a child into a good school). Please forgive us any transgressions we may have unknowingly committed against you or others.”
Bowing motions, called Le, are performed at least three times and the ceremony ends when all have prostrated themselves (or in more modern families, folded hands and prayed) before the altar. After the “money for the dead” and other paper gifts are burnt in the courtyard, the family watches the ashes dance away on warm currents of air, a sign that the dead have received their gifts. The spiritual presence of the ancestors will be palpable during the days of Tet.
In recent times, a new tradition has evolved to celebrate the important evening of the new year. Those who are not at home praying at this momentous time may be socializing with friends. In the cities, there will be community fireworks displays that will draw the young from their homes into the square or park. Although firecrackers are now illegal in Vietnam, some kind of loud noises will be made. It can be the banging of cans, the use of electronic popping firecrackers or human voices whooping it up. People will break off branches and twigs that contain newly sprouted leaves to bring a sense of freshness and vitality into their home. This follows a Buddhist tradition of bringing fresh new leaves and “fortune bearing buds” into the home from the pagoda.
* * *
First Morning or Head Day is reserved for the nuclear family, that is, the husband’s household. Immediate family members get together and celebrate with the husband’s parents. A younger brother, if the parents are not alive, will visit his older sibling. Faraway sons and daughters journey to be with their parents on this day. Children anticipate a ritual called Mung Tuoi, or the well wishing on the achievement of one more year to one’s life. With both arms folded in front of their chest in respect, they thank their grandparents for their birth and upbringing.
Reciprocally, the grandparents will impart words of advice or wisdom to their grandchildren, encouraging them to study seriously, to live in harmony with others. The promises made by the children are similar to New Year’s resolutions made during the western New Year. Adults will make silent promises to themselves to improve their lives, habits and relationships in the coming year. The children accept small gifts, usually crisp bills. Ideally, part of the gifts will be saved for future “investment,” and part spent for Tet amusements. The words on the little red envelope in which the bill may be tucked read: Respectful wishes for the New Year. When there was a king ruling Vietnam, the mandarins of the royal court formally wished the King and Queen, “Happiness as vast as the southern sea; longevity as lasting as the southern mountains.” Each trade and professional guild in Vietnam has a founder or guardian spirit and on this or one of the next several days, the craft workers will make offerings to their guild ancestor.
The family displays the offerings of food on the altar table for the first meal for the ancestors since they have returned to the world of the living. The head of the family, dressed in fresh clothes, steps respectfully in front of the family altar and presents the offerings of food, liquor, cigarettes, betel fixings, flowers and paper gold and silver. He lights three sticks of incense, kneels, joins hands in front of his chest, bows his head and prays. The names of the deceased of the family up to the fifth generation are whispered as they are invited to participate in the feast prepared for them.
After the ceremony, the entire family sits down to enjoy the meal typically consisting of steamed chicken, bamboo shoot soup, banh chung and fresh fruits. They reminisce with their ancestors.
The Vietnamese do not say “celebrate” when speaking of Tet; the words “to eat” are used as in the expression, “Will you eat Tet with your family?” or “Where will you eat Tet this year?” It does not refer to the filling of one’s stomach, although in the old days, when hunger was a constant problem, Tet time was a time of plenty during which one could eat one’s full. “To eat” here means more to be nourished by, or to partake in the mutual communion with others, a spiritual eating or being nourished.
There is a Vietnamese saying related to ancestor worship: “Trees have roots; water has a source; when drinking from the spring, one must remember the source.” Thanks are offered to those ancestors who labored long ago to dig irrigation channels and remove mountains for this generation to have an easier life. The present is only one link in the cycle of coming back to the past as one looks to the future.
The second day of Tet is for visiting the wife’s family and close friends. Some shops have opened and a few lottery stands are busy selling chances to people who feel lucky. Everyone is out on the street parading around in their new clothes.
On the third day of Tet, the circle of connections becomes larger and is extended to the broader community outside the family by visits to teachers, bosses or a helpful physician. The Vietnamese visit teachers and physicians although long out of school and long cured of their illness. This may be the time to have one’s fortune told to see what the coming year will bring. These days in Vietnam, there are fortunetellers using computer software. People are also especially interested in the significance of their first dream of the new year.
The evening of the third day marks the departure of the ancestors by burning votive objects such as gold and silver, for them to take with them on their journey back to Heaven.
Now the connections to the world beyond the family can take place. The non-family member who will be the first visitor is carefully chosen. The “first footer” is an auspicious guest who is considered to be good luck for the family. The first non-family visitor to the house brings in the year’s luck. This figure’s karma will charm the household for the entire year and determine the luck of the family. It is customary to invite a respected person to visit at that time, so that this turn of luck is not left to fate. This person, whose aura is believed capable of promoting the fortune of the household in the following year, is usually someone healthy, successful and prosperous. Some Vietnamese lock their doors to all chance visitors until after the visit of the chosen “first footer.”
On the fourth day, banks and shops reopen. Transactions, although slower, will be conducted more cheerfully than usual. Offices open and work resumes. Careful attention is paid to the resumption of activities. The first outing is the first time in the New Year that a family leaves their home. A propitious time is chosen in advance for this outing and one sometimes asks the advice of fortunetellers.
Formerly, scholars initiated their new brushes and paper with a small ceremony with the wearing of new clothes. This also requires an auspicious hour. The theme of the proverb or poem is considered carefully and newly purchased high-grade paper was used. Today’s students are less formal in their initiation rites, but most enjoy a new pen and a fresh notebook for the New Year. Everyone determines to do what he or she can to help fate along to make the next year most successful.
In the countryside, there are rituals to enliven the land out of its winter’s rest. The Rites of Dong Tho activate the soil to bring it alive from its sacred rest. When there was a king in Vietnam, he symbolically initiated the harrowing of the first furrow of the planting season in a royal rite.
A hundred years ago, on Hang Buom Street, a ceremony was performed right after Tet called the Beating of the Spring Ox. This ceremony initiated the breaking open of the agricultural land and chased away the winter cold. A ceramic image of the ox was beaten with sticks until it broke into pieces. Everyone scramble to grab and take home a piece of the sacred ox.
On the fifteenth day of Tet (called Ram Thang Gieng), the first full moon, there are ceremonies in Buddhist temples. This is considered the most auspicious day of the Buddhist year. “Paying homage to Buddha all year long is not as effective as praying on the 15th day of the first lunar month.” The devout flock into pagodas, their eyes stinging with the blue haze of incense. After prayers, shared blessed offerings from the temple keeper are stuffed into bags carried with them for that purpose. Over the years, this Buddhist sacred day has transformed into a holiday of other cults.
It is also called Tet Trang Nguyen or the feast of the first laureate. There is a legend associated with its beginnings: the emperor once staged a banquet on the full moon to which the most prominent scholars of the kingdom were invited. They drank exquisite liquor and each man composed a formal poem on a theme chosen by the emperor. On that day, many families celebrate Tet all over again by eating banh chung.
This is also called the Little New Year or full moon New Year and celebrated by farmers following an indigenous practice of welcoming Spring at the first full moon. Later, it became infused with Buddhist meanings.
The Vietnamese traditionally celebrated Tet from the fifteenth day of the twelfth month to the fifteenth day of the first month.
* * *
Excerpted from Tet: The Vietnamese Lunar New Year by Huu Ngoc and Barbara Cohen
* Source: vietnam-culture.com.

Sunday, December 18, 2011

Hoi An has reached top 10 culinary destinations of Asia's most attractive

Online travel site popular TripAdvisor world on 22/11 announced the list of hotels, family holiday, beach, destination and destination is the world's best cuisine in 2011, which Hoi An (Vietnam) came in at No. 6.

Accordingly, the top 10 culinary destinations with the most attractive Asian order from high to low are: Bangkok (Thailand), Hong Kong (China), Seminyak (Indonesia), Singapore (Singapore), Sapporo ( Japan), Hoi An (Vietnam), Kyoto (Japan), Seoul (South Korea), Osaka (Japan), Koh Samui (Thailand).
According to TripAdvisor, the dish of Hoi An luxury, charming both in flavor and garnish. International tourists are fascinated because of the traditional cuisine, rich and delicious as a high floor, Quang noodles ... A food is said to bring more success for your trip visitors to Hoi An is a fried pancake.
Vietnam is no point to any destination in the top 25 best world but has two top 25 destinations in Asia was the destination of Ha Long (Quang Ninh) - sites has become the world natural heritage new world of the world and the world heritage Hoi An. Halong Bay was introduced as a wonder island, the limestone. Over millions of years, the spectacular rock formation and caves formed by wind and water. Kayaking, boat tour or take a tour to discover Halong Bay are very interesting to come there.
"Hoi An city on the coast of central Vietnam is a typical example of the preservation of ancient monuments-flourishing commercial port, the largest in Southeast Asia from XV-XIX centuries. Hoi An is a popular destination for international tourists to Vietnam, especially backpackers hotel. On the 14th (lunar calendar) every month, Hoi An lanterns flickering in the warm light. Covered Bridge and Quan Cong Temple is the main sights in town. It's Hoi An, let the professional tailors here may give you a set of clothes "- TripAdvisor wrote.
Cape Town (South Africa) headed the list of 25 most attractive destinations in the world. Hong Kong (China) at No. 1 in the list of 25 most attractive destinations in Asia.
Asia is not in the list of 25 chosen hotel, beach, venue of the best family holiday in the world.

Hoi An's Eve

Hoi An's Eve
Posted on 26/01/2009 by Dr. Nikonian

The situation is the situation! 29-30 festival as online newspapers, any newspaper also said that Hoi An, Da Nang rain all three days festival, tui gut punched vegetables, holiday travel plans take pictures Hoi An lantern festival as a success of failure. Brushing wet taken in a "rain is rain on the tower floors" have a great afternoon of it, but not to the level of TUI this size, so bright 30 caps to sit out for another bushwalk plan. May I come to lunch, you Ginola call, the news has stopped the rain, sunny, although clouds are not stopped. God, it must be severely criticized him a God. State media have said rain, rain so that he does not crave more. So he does not rain all the right lines, or rain, "not true right side." Light a critic and then leave it! Ka ka!

7 pm, though it was cold, her children still pouring an Association bought flowers. See also love the flower market, but want to take full helmets that small hole, only to lose interest. Load of goods to come home to see a new hat or magnifying soup. Not even take this, although that is so emotional photography of the bag once again, "ordered the right side"

Open every single night with this shot. Who, much moss the walls of the police, taken not know how many times bored. Carrying a bike chain set aside as an accent, carefully weighted to get the yellow light of street lamps, and then press a series of roll up wearing heavy rucksack never dreamed of Hoai river.


The first lantern festival in Hoi An's Eve in quite a time on a bridge over the Huai River. The water smooth command, swimming forever to earn a dry place to "operational". Recently there at 7:30, but backpackers, and it was bu bu black red on both sides of the river. How many western em, sure very aggressive, play an entire bottle of vodka, cans of beef knocked out with a sidewalk drinking Huai River. I saw some bags, said "chuk mung nam mói" and offers me a glass of wine. But overall, "home" as TUI decent photographer can not be involved drinking as "operational". I say a little thin bran, I commend some "good pronounciation" ...


Covered Bridge in the night except for president. Lighting such as hay, virtual blur, a few bugs rope Christmas lights flickering red green blue red.


The "celebration" of all festivals in the U.S., the Association is not an exception, are fed up with the server Pheo officials, suits and tie, with the speech empty and boring. So through this, to sit suspended latent TB Huai River at night, in a few shadows old cafe on the water.


This year is the symbol of the Ox, which is the male buffalo ne decent people. Artisan Association is an excellent result! Part art nothing special. Or at TUI busy shooting, should not care to discover "hidden beauty" of national culture.

Little lantern contest is held on the boat, hover for her children do. Satisfactorily with little disappointed this lamp. Lantern throws the words inscribed calligraphy-style "Happy Spring Welcome Party," but the camera of the bag it is extremely reactionary, taking the hem!




The light of Hoi An, the most expensive light for people or travel photography, light is associated with common stock, or to carry vast river. It is light flickering lantern in an ancient house. Or are the votive flame burning, incense flicker of residents in the night except president. Or should it be mysterious red light, emitting money on wheels that offer TUI captured in pictures. Association which plays an headlights, electronic lights blink off, then I shall die. It's clean out the deep contemplation of the ancient city u. It hit the headlights "dazzling glare" without "radiant beauty", the color takes time targets moss timeless city bag will die trying.
Festival town will never be without this girl. Who gave up their New Year's Eve, quietly drop each patient lanterns cold water down the Huai River. Take a sheet of the new skeptical Mental been considered. This girl, like many other distinguished people, is the new center of any public event festival of Hoi An, tui think so!

Thanks to this girl, I take a sheet of shimmering pastel color style as local players ne:

On the way, take the money at the altar of Hoi An, red pure luxury game too much. Not Japan, not the ship departed, which is a type of decor is an Association, are unmistakable.


The situation is, in the spirit of playing with light, throw aside some of the larger picture heavy propaganda bullshit, tui "strangle" the two plates is relatively satisfactory. Press is the moment the sky lights hovering in space chao town. That necessarily, Hoi An is so remote, that a lot when shooting invisible, so exactly the same architecture Mediterranean or Greek too far. Chẹp taking, love gone too! But to plow more time to upgrade the camera, using a mediocre night mediocre, boring boring!





The situation of dust bags Nikonian's Eve is like. Who wants to abuse TUI dom picture is just too carefree bottlenecks, as TUI bad early discharge. Extremely anxious he was betray L. Vo, master photographer of the Nikonian bag, had taken the offer to borrow a tripod MANFROTTO extreme fighting. Heavy furniture, carrying not popular, not to stay at home, should be taken as sick TUI Parkinson calligraphy so. Which may also, yesterday that John tripod out, dare to push her children jostle for both human and computer are in the river, bag will die! Thus, high levels of hope photography, considered the first of the new guys that set apart. Natural disaster, disaster!

Use google to translate all of http://www.drnikonian.com/2009/01/26/giao-th%E1%BB%ABa-h%E1%BB%99i-an//

Saturday, December 17, 2011

Be charmed with Bai Choi night of Hoi An ancient town

Hoi An shows an old space on the full moon night - the 14th day every lunar with no motorbikes and no artificial lights, all the streets are decorated with colorful traditional lantern. And crowds of local people and foreign tourists flock to the town near the Hoai River to enjoy interesting activities of Bai Choi - a popular kind of folk art in central Vietnam.
No one knows exactly when bai choi appeared. It was dated from 300 - 400 years ago and played during every Spring Festival in Thua Thien Hue Province.
Bai Choi game (singing while playing cards) is taken place at outdoor area with about 10 thatched huts. Each bai choi includes 30 chess pieces with different names, divided into 10 types of cards which glued on bamboo sticks. After that Bai Choi lost its popularity and was fallen into oblivion until the ancient town of Hoi An was listed as the World Cultural Heritage by UNESCO, Hoi An Culture and Sports Centre restored the cultural playground to preserve and develop the national cultural identity and introduce to domestic and international visitors. Nowadays, the Bai Choi has become familiar to the Hoi an’s people not only on full moon night but also each evening. The game always brings an eventful atmosphere and makes the town more lively. However, Bai Choi still keeps its specific quietness which brings not only the warm breath of the modern life but also the gentle, charming and meaningful characteristics of Xu Quang culture.




Hoi An ancient houses host art exhibitions

Two exhibitions on souvenirs, paintings and statues are on at two ancient houses in the World Heritage-listed town of Hoi An in Quang Nam Province on the central coast.
The ancient house at 46 Nguyen Thai Hoc Street is showcasing 29 works by 21 artists who entered the final round of a contest to create souvenir products for Hoi An in 2011.
Visitors to the exhibition will vote for their favorite artworks made from environmentally friendly materials including bamboo and wood and some from silver and bronze. A prize presentation ceremony for the contest winners is slated for December 4 to coincide with the 12th anniversary of Hoi An being proclaimed the World Cultural Heritage in 1999.
The second exhibition at the ancient house at 39 Nguyen Thai Hoc Street features over 100 works on contemporary art, pearl statues, carpets and precious stones by artists Le Dinh Quy, Do Quoc Vi and Pham Huynh. The exhibition runs until February 18.

Programme Hoi An Lunar New Year festival, Dradon year – 2012

THE ORGANIZING COMMITTEE OF THE HỘI AN LUNAR NEW YEAR FESTIVAL - DRAGON YEAR 2012
PROGRAMME HỘI AN LUNAR NEW YEAR FESTIVAL, DRAGON YEAR – 2012
Time: 17 January – 06 February, 201(24th day of the 12th lunar month, Cat year – 15th day of the New Dragon year)
Time Activities Places
From 17-22 January, 2012
(24th - 29th of the 12th lunar month, Cat year)
The Spring Flowers Festival Streets of Trần Hưng Đạo & Nguyễn Huệ
From 19 the morning of 20 January, 2012
(26th day & the morning of 27th of the 12th lunar month, Cat year)
The pro-poors Tết pancake making festival. 01, Nguyễn Trường Tộ street
Evening of 22 January, 2012
(From 21:00 to lunar New Dragon year’s Eve)
Opening “the 4th Hội An Festival of Lanterns” - Gala night of the music bands in Hoi An & the show “Welcoming the 2012-New Dragon Year’s Eve”. Stage at the An Hội Sculptures Garden
New Year’s Eve Fireworks. Sông Hoài Square-Cham islands
New Year’s Eve Bell & drum beating at the New Dragon Year’s Eve. Religious monuments, schools…
From 16 – 29 January, 2012
(From 23rd of the 12th lunar month, Cat year to the 7th day of the New Dragon year)
Competition of the Lunar new year’s poles. Religious monuments, family chapels…
Evenings of 23-24-25 January, 2012
(19:00, the first three days of the New Dragon year)
Final of the competition “Young singers – Young singing bands – Excellent dancer couples – Hip-hop groups – Spring fashion…” Stage
at the An Hội Sculptures Garden
From 24 January - 05 February, 2012
(From the 2nd – 14th day of the New Dragon year)
Photo competition "Beautiful spring moments of New Dragon year" An Hội Sculptures Garden
14:00, 06 January, 2012
(4th day of the New Dragon year)
Competition “Chinese human chess” Sông Hoài Square
19:00. 26, 27 & 29 January, 2012
(The 4th, 5th & 7th day of the New Dragon year)
Traditional Vietnamese kungfu Festival Stage at the An Hội Sculptures Garden
19:00, 28 January, 2012
(6th day of the New Dragon year)
Competition of Practical Fitness Gymnastic Stage at the An Hội Sculptures Garden
19:00, 30 January, 2012
(8th day of the New Dragon year)
Final "Charming in the age of 40s" Stage at the An Hội Sculptures Garden
19:00, 31 January, 01 & 02 February, 2012
(The 9th - 11th day of the New Dragon year)
Competition “Cultural communes to Welcome the New year festival” Stage at the An Hội Sculptures Garden
19:00, 03 February, 2012
(12th day of the New Dragon year)
Gala of comedians in Quảng Nam province & Đà Nẵng city. Stage at the An Hội Sculptures Garden
14:00, 04 February, 2012
(13th day of the New Dragon year)
Folkgames for children on the Spring days. Sông Hoài Square
19:00, 04 February, 2012
(13th day of the New Dragon year)
Final: Vietnamese folksongs singing. Stage at the An Hội Sculptures Garden
08:30, 05 February, 2012
(14th day of the New Dragon year)
Non-professional boat race. Sông Hoài river
19:00, 05 February, 2012
(14th day of the New Dragon year)
- "Hoi An Legendary Night"
- "Poem recital in the First fullmoon evening”"
Hội An Ancient town
19:00, 06 February, 2012
(15th day of the New Dragon year)
Music show Closing “the 4th Hội An Festival of Lanterns” & “the New Dragon year festival” Stage at the An Hội Sculptures Garden

PERMANENT ACTIVITIES
From 22 January - 06 February, 2012
(From the last day of Cat year to 15th day of the New Dragon year)
Activities Places
Competition and Exhibition of Lanterns An Hội Sculptures Garden
Exhibition: The Spring parallel sentences An Hội Sculptures Garden
“Old town streets of Spring flowers” Hội An Ancient town
Ornamental rocks and bonsais Sông Hoài Square
Hoi An bingo game An Hội Sculptures Garden
Lottery Sông Hoài Square
Contemporary games Sông Hoài Square
Children games Sông Hoài Square

SERVICES
Time Activities Places
From 22 January - 06 February, 2012
(From the last day of Cat year to the 15th day of the New Dragon year)
Eating - Drinking Sông Hoài Square & An Hội Sculptures Garden
From 23 January - 06 February, 2012
(The first 15 days of the New Dragon year)
Excursion "In the Spring boat" Sông Hoài river

Hoi An Ancient Town - UNESCO World Heritage Centre

Hoi An is the best example of a traditional trading port in South-East Asia. It is the result of a fusion of cultures over time, from the 15th – 19th century.

Hoi An attracted ships and traders from the rest of Asia and Europe. Its architecture is of traditional Vietnamese design, with Chinese and Japanese influences.

Comparisons are made with Vigan (Philippines), which however has a Spanish colonial street plan as in the Americas where Hoi An organically evolved. It is also exceptional for the use of wood as a building material.

 
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